The Circus Season 3 Episode 1 Reviews Rotten Tomatoes
          Plenty of bad movies get rated on Rotten Tomatoes, but information technology'southward rare to encounter a movie score a flat 0% without a single critic to defend something nigh the film. If y'all didn't recall it was possible, take a walk downward the cinematic hall of shame and banquet your optics on some of the worst movies (according to Rotten Tomatoes) to date.
Each film on this list has managed to achieve a flat 0% rating, implying a fourth dimension suck of epic proportions should you choose to watch them. Obviously, these movies should just be viewed at your ain take chances. Consider yourself warned!
Look Who's Talking Now (1993)
Although the original Await Who'due south Talking film scored a mere 57% among critics, it was a viewer favorite, which prompted the creators to brand not one, but two sequels. The kickoff two featured John Travolta, Kirstie Alley and a serial of talking babies. Cute, right?
          In the tertiary picture, Look Who's Talking Now, the filmmakers instead swapped the babies out with crude talking dogs who make constant sexual references. Very child-friendly, right? Information technology'south impossible to understand how anyone making the picture show failed to consider this strategy would completely amerce the target audition and critics.
MAC and Me (1988)
Although Hollywood may occasionally be able to tummy a bad movie, there'south nothing it hates more than a breathy rip-off. Such was the instance when MAC and Me was released in 1988. The story features a immature, wheelchair-bound boy who meets MAC (Mysterious Alien Creature), an alien who needs help finding his mode home. Audio familiar?
          Apparently, the filmmakers thought that putting the poor kid in a wheelchair would proceed everyone from realizing they had obviously hijacked the plot of E.T. Information technology didn't work — Duh! — and critics weren't shy nearly letting everyone know what they idea about it.
Jaws: The Revenge (1987)
Equally Steven Spielberg told a film festival audience in 1975, "Making a sequel to anything is only a cheap carny trick." The fact that he understands what so many other filmmakers fail to grasp, nevertheless, didn't continue 3 sequels to his hitting movie Jaws from being made by other misguided industry professionals.
          The tales of terrified beachgoers just kept coming until finally Jaws: The Revenge, the franchise's fourth movie, finally sank things once and for all. The pic's nonsensical plot, bad special furnishings and sloppy execution were more than critics or moviegoers could handle with a direct face.
Staying Live (1983)
Ever noticed that at that place's something virtually dance movies that seems to inspire a million sequels? Before the days of the Stride Up franchise, Staying Alive led the way toward insipid dance movie franchises of the futurity. Unfortunately, this questionable sequel to the successful Saturday Night Fever came nowhere near the success of its predecessor.
          John Travolta returned equally Tony Manero in a plot set vi years afterwards he won the legendary disco contest in the first picture. The plot mostly serves as a filler for additional dancing that the filmmakers mistakenly counted on to deport the movie.
Bolero (1984)
Poor Bo Derek. 1 day, her career was off to a great beginning, and the next, her husband, John Derek, had a not-so-brilliant idea called Bolero. Written and directed past John himself, the motion picture features Bo as a recently graduated woman in the 1920s who traipses all over the globe in an endeavor to lose her virginity.
          The whole thing turned out to be 1 of those movies that's funny for all the incorrect reasons, and information technology was largely considered a huge mess by critics. On the other hand, it won vi of its x Razzie honour nominations. Maybe that counts for something — or non.
Dream a Petty Dream (1989)
Yous know you lot have failed in a spectacular style when non fifty-fifty teen heartthrob Corey Feldman could salve your '80s flick. Such was the case with Dream a Picayune Dream, a baroque story about an elderly couple who undertakes a mystical experiment.
          As a result, they end up trapped in the bodies of two teenagers, whose lives don't plough out to be what they had expected. Not surprisingly, the picture show itself turned out to exist epically breathless. Roger Ebert dubbed it "an aggressively unwatchable movie," while other critics questioned whether the writers had any thought what they had created.
Trouble Kid (1990)
A couple adopts a immature boy who turns out to be an absolute nightmare who is determined to make their lives hell. While this might sound like a solid premise for a horror movie — maybe information technology would have worked that way — Problem Child really tried to present itself as a slapstick comedy.
          The trouble was that none of the jokes were the least scrap funny, and the plot itself came across as more mean-spirited than fun. The result was a mess of a moving-picture show with a lead character that neither adults nor children could bring themselves to sympathise, let alone like.
Megaforce (1982)
Megaforce was supposed to chronicle the tale of an aristocracy group of international warriors, merely information technology turned out to be something most critics had to strength themselves to watch. As one reviewer put information technology, the flick was "the kind of bad that makes y'all wish you were somewhere, anywhere else."
          The flick barely grossed a fourth of its $20 million budget, piffling of which appeared to take been used to improve annihilation almost the motion-picture show. With bad dialogue, cheesy special effects and a ridiculous plot, Megaforce concluded upwardly being the virtually unintentionally funny action movie of all time.
Highlander 2: The Quickening (1991)
Few movies brought fans, critics and even its own coiffure together in common disgust quite similar Highlander two. The original Highlander at least achieved a cult following, simply the sequel pretty much merely borrowed the title and absolutely none of the good parts of the storyline.
          The filmmakers bizarrely tossed much of the original picture show'due south plotline and twisted the premise to include aliens battling on an environmentally plagued Earth in 2024. Rumor has information technology that even managing director Russell Mulcahy asked to supercede his name with a fake one but was forbidden by his contract from bailing out.
American Anthem (1986)
If you accept never heard of this '80's gymnastics story, and so you're non lonely. The story centers effectually a young male person gymnast who works through various bug, meets a girl and trains for the Olympics — you know, the usual athlete coming-of-age story. Who meliorate to play him than an actual Olympic golden medal gymnast, right?
          Patently not. While production didn't have to worry almost training Mitch Gaylord to practice the gymnastics, they probably should take focused a piddling more on training him to act. The sloppy story and overload of cliches came in second just to his less than gilt-medal interim performance.
Police Academy 4: Citizens on Patrol (1987)
Yous know how fifty-fifty the funniest joke loses all its hilarity if the same person keeps telling it over and over? That'south sort of what happened with the Police Academy franchise. While the original was hilarious, nobody was laughing anymore past the terminate of the sixth sequel.
          Among the about painful of the follow-ups was the fourth installment, in which Commandant Lassard decides to recruit civilians to work aslope the cops. The movie seems less concerned with a plot of any sort and plays out more like a string of gags tied together in the longest YouTube compilation ever.
Ambush (1993)
Based on the cover alone, Ambush looks like a movie that could attract plenty of unsuspecting viewers. It has Nicolas Cage, James Coburn and even Charlie Sheen among its bandage, not to mention a Coppola in the director's chair.
          As information technology turns out, it'southward only a lesson in never judging a book — or a movie — past its cover. The film is basically an endeavour at film noir gone terribly wrong. Although the filmmakers managed to get the look correct, they forgot the office where you really need a strong plot to make the whole affair work.
A Thousand Words (2012)
When your movie is shot four years before anyone dares to actually release it in theaters, yous know you're in for a rough ride. A Thousand Words made the fault of taking the hilarious Eddie Murphy and pretty much forcing him to pull off an hour and a half of recorded silence.
          Why? Considering if his graphic symbol spoke likewise much, he would be doomed to become a magical tree in his backyard. By the time the film was over, audiences everywhere were more desperate for Murphy to regain his spoken communication than his graphic symbol was.
Bucky Larson: Born to Be a Star (2011)
Despite its name, this flick ironically did more to tank the career of lead histrion Nick Swardson than assistance it. If you lot didn't see it, fear not. It's pretty much just one long joke that keeps struggling to tell itself for the most painful 96 minutes ever.
          You get a socially challenged loser kid who moves to L.A. to follow in his porn-star parents' footsteps. Unless the previous sentence fabricated you laugh hysterically, then trust us when we assure you that you didn't miss anything. Seriously, it doesn't get any funnier from there.
Gotti (2018)
Although information technology was released a mere two years agone, Gotti has already gained the popular vote for the worst mob motion picture of all time. John Travolta stars as infamous mobster John Gotti in this biopic, which attempts to cram the guy's entire life into 105 minutes.
          Gotti was many things, and an interesting guy was certainly one of them. Unfortunately, the film fails to capture this fact and besides manages to be ridiculously boring in its attempt to entertain. I critic actually said he would adopt to "wake up side by side to a severed horse head than ever watch Gotti again." Yikes!
Nighttime Crimes (2018)
In the '90s, most of us thought of Jim Carrey as the hysterically goofy star of films like Ace Ventura: Pet Detective and Dumb and Dumber. And so, one mean solar day, he suddenly stunned the earth with his obvious dramatic talent in movies like The Truman Testify and Eternal Sunshine of the Spotless Heed.
          So, when Dark Crimes came along, information technology seemed promising. The film bandage Carey every bit a detective, and he did a pretty skilful chore with what he was given. That said, the motion-picture show was less the thriller it was intended to be and mostly merely likewise disturbing to actually watch.
The Ridiculous 6 (2015)
It seems like we all vicious so in love with Adam Sandler during his early career that we just can't bring ourselves to give upward on him. It was probably his early success that made him rich plenty to start bankrolling his own movies, and things accept been going downhill e'er since.
          Among the worst of his creations is The Ridiculous 6, a would-be Western satire that is just painful to watch. Aside from its lame jokes, the film is insanely racist and disrespectful toward Native Americans — to the degree that several Native American actors walked off the set.
Max Steel (2016)
Not all superhero movies are created equal, every bit Max Steel will exist the first to grudgingly acknowledge. While many activeness films spawn toy lines, this ane did things backwards and attempted to make a movie out of an old toy from the late '90s.
          The movie tells the story of a male child named Max who meets a metallic conflicting being that can wrap around him like a knock-off Iron Man suit. The balance of the moving picture follows adjust with one superhero cliche later another, none of which are executed half as well equally they are in the films they shamelessly mimic.
Simon Sez (1999)
Remember when Dennis Rodman was still around? Well, of form, there was someone out in that location who just had to ride the coattails of his 15 minutes of fame by dropping him into an action flick. Hence, Simon Sez, the sequel to Double Take, was built-in.
          While Rodman at to the lowest degree had Jean-Claude Van Damme to back him upwardly in the kickoff moving-picture show, he has to resort to teaming upwardly with a pair of random reckoner hacking monks in the sequel. Prepare to spend the whole movie wishing he would merely give it upward and do a couple of dunks instead.
Return to the Blue Lagoon (1991)
Although The Blue Lagoon didn't fifty-fifty garner a 10% fresh rating from critics in 1980, that didn't finish someone out at that place from thinking a sequel would still be a great idea. 1991 saw the ill-fated release of Return to the Blueish Lagoon, which fared even worse than the original.
          The film plopped and then-teenagers Milla Jovovich and Brian Krause onto a desert isle, threw in a petty romance and a lot of flesh, and hoped for the best. Unfortunately, the film tanked and was even accounted by one critic to exist "for pervs and frustrated holidaymakers only." Ouch.
The Garbage Pail Kids Movie (1987)
Dorsum in the '80s, there was a card collecting trend featuring the Garbage Pail Kids. With characters meant to be knock-offs of Cabbage Patch Kids, the cards featured kids that were super gross in ways that but immature boys find fascinating.
          To the horror of parents everywhere, someone decided to turn the trend into a truly terrifying live-action flick. While the cartoonish creatures may accept looked harmless enough on the cards, their puppet counterparts were the stuff that nightmares — and years of intense therapy — were made of.
Top Canis familiaris (1994)
While Chuck Norris may accept spawned a serial of hysterical memos detailing his epic levels of greatness, Tiptop Dog is his Achilles Heel that refuses to die. How could an action-comedy starring not only Norris but also an adorable dog possibly become wrong?
          Well, the kickoff mistake was inserting our heroes into a "family unit-friendly" film laden with Neo-Nazis terrorists and White Supremacists. (What?) The 2d was having the poor taste to release information technology ii weeks after the Oklahoma City bombings. All this added up to an epic neglect that was virtually booed out of the box office.
Jury Duty (1995)
This Pauly Shore flop was plenty to leave most movie fans preferring actual jury duty to sticking effectually until the final credits rolled on this moving-picture show. The tale revolves around an uninspired slacker who gets the brilliant idea to sign up for jury duty and so he can take advantage of the free room and board. (Exactly where is this jury duty?)
          The rest of the film mostly focuses on him coming up with the well-nigh annoying ways possible to keep the case going, simply so he doesn't lose his temporary digs. By the end, you're sure to exist just as frustrated as his young man jurors.
Ed (1996)
Y'all could about hear the commonage shatter of the hearts of Friends fans effectually the globe when this bad boy flop came out. The sports comedy featured Matt LeBlanc — of Joey Tribbiani fame — and a lovable, baseball-playing chimpanzee named Ed. What could go incorrect?
          Then much. Although the premise could take been a solid kid feature in the right hands, the filmmakers fell back on a cord of potty jokes and very little else to make the movie funny. The whole thing just seemed like such a waste for LeBlanc'southward comedy skills, and it didn't do the chimp any favors either.
3 Strikes (2000)
Starring Brian Hooks and written by the aforementioned guy who penned the hysterical Friday, this comedy jewel seemed destined to be a winner. Wrong! By the time it was all said and done, critics were ready to lock this one up and throw away the key.
          The plot centers effectually a 2-strike felon who is trying his all-time to stay out of trouble, a task that turns out to be surprisingly complicated. The movie relies mostly on super lowbrow humor, which might have been excusable if it had really managed to be funny.
Redline (2007)
You know those bargain bin DVDs that look like dollar store versions of popular movies? Redline is pretty much their king. Imagine The Fast and the Furious but without the plotline and with women depicted as nothing more than arm processed. That pretty much sums upwardly the motion picture.
          Rather than attempt to tell a story of whatever sort, the film is a blatant vanity projection meant to evidence off a bunch of flashy cars, complete with the calendar girl side pieces. Save your fourth dimension and flip through a machine agenda at a truck stop instead.
The Nutcracker in 3D (2010)
Seriously, how practise you even mess up The Nutcracker? Sadly, this misguided children's moving-picture show pulled it off, much to the dismay of horrified film critics everywhere. The Hollywood Reporter called it "an apparent Scrooge-like try past Russian filmmaker Andrei Konchalovsky to forever ruin children'south associations with the classic Yuletide ballet."
          Despite the flick'southward solid bandage, which included Elle Fanning and Nathan Lane, it veered and so far away from the much-loved traditional tale that it became something else entirely. You had one chore, Nutcracker. Step away from the 3D glasses and stick to the beloved story.
National Lampoon's Gold Diggers (2003)
This sincerely misguided attempt at a comedy stars Will Friedle, who played the lovably bumbling Eric Matthews on Boy Meets World, and Chris Owen equally the ii to the lowest degree funny guys in whatever comedy ever. The hijinks begin when the boys make up one's mind to ally two older women, in hopes that they will before long die and leave them a big inheritance.
          Presently, everyone is trying to murder everyone else, and the mystery of why this mean-spirited flick was ever considered a comedy just keeps getting deeper. If you want a real express mirth, read the pic's Rotten Tomatoes reviews instead.
Ballistic: Ecks vs. Sever (2002)
Await no further than this 2002 precious stone for proof that star power alone can't salvage a bad film. Starring Lucy Liu and Antonio Banderas, the motion picture is most two regime agents who are fighting over who tin get their hands on some new diabolical weapon first.
          An understandable plot, even so, seems to exist the terminal affair on the filmmakers' minds. The entire motion picture is more like one big string of explosions, bullets and plotlines gone rogue (and wrong). With more 100 bad reviews to its name, if it's not the worst movie of all time, it's definitely pretty close.
Kirk Cameron's Saving Christmas (2017)
As one critic summed this 1 up, "Saving Christmas is basically 80 minutes of Cameron lambasting Christians for not being his equal when information technology comes to intolerance and close-mindedness." The film left both believers and nonbelievers alike wondering what had just happened to the incredibly confusing terminal 80 minutes of their lives.
          The bizarre undertaking looks more like something Cameron filmed on his phone after a few too many egg nogs and is more than or less him preaching a sermon he didn't carp to research. The whole thing comes across more like a vanity slice than an inspirational message.
Folks! (1992)
Tom Selleck, the histrion who resembles a existent-life Ken doll, made a major error when he took the lead role in the incredibly problematic Folks. In the film, Selleck'south Jon Aldrich tries to manage his piece of work and personal life while his parents, particularly his father who lives with dementia, continued to make his life more than and more problematic.
          Folks! was heavily panned for its negative portrayal of anyone over the age of 50, only particularly for the depression-brow sense of humor at the expense of someone living with dementia. You couldn't notice any folks in the archives who had a good matter to say almost this poorly-written motion picture.
A Depression Downwardly Dirty Shame (1994)
A pic with the likes of Keenen Ivory Wayans and Jada Pinkett Smith sounds similar it would exist a recipe for a good movie, right? Incorrect. This action/one-act dud written, directed by and starring Wayans was panned for its terrible plot lines and story structure.
          Legendary picture critic had some especially cutting words for the LAPD-focused moving picture: "Here is a pic virtually guns. Take away the guns, and the pic would be about zip much. The plot, the dialogue and all just one of the characters are so shallow that, without murder for a dial line, they'd deflate." What a shame.
Precious Cargo (2016)
Sigh. Poor Bruce Willis. This movie was so bad information technology makes other bad movies await good. Willis played the office of Eddie Filosa, who convinces a crime boss and his gang to steal $thirty million in diamonds from another criminal offense gang in exchange for a adult female.
          Another motion picture whose plot points and story structure are just filled with guns and high-speed chases. The cheap dialog and intentionally funny moments turned into a slice of painful, gut-wrenching cinema. It should honestly be retitled "Full Garbage".
Transylmania (2009)
A group of sexy college co-eds political party abroad in a vampire-filled Romania. What could maybe go incorrect? When the atomic number 82 character Rusty arranges the Eurotrip so he could meet his Cyberspace girlfriend Draguta, you realize how much actually volition go incorrect in this far-from-campy movie.
          The movie is filled with a bunch of tired gags, monsters that aren't scary and too many characters to develop an affinity towards any of them. For a moving picture from the National Lampoon franchise, this screwball one-act really fails to evangelize any "mania" outside of pure nausea.
London Fields (2018)
The clairvoyant Nicola Six, played by Amber Heard, learns that she volition die at the hands of a human in her life. Naturally, she begins to date three men to find which i volition be her killer. That makes full sense, correct? Nix confusing to contemplate in that location.
          The movie grossed $168,575 on its opening weekend, with a per-screen average of $261. The Independent's critic Kaleem Aftab claimed, "Most scenes lack pace, are performed badly and are accompanied by a running commentary of action nosotros tin encounter for ourselves."
Source: https://www.ask.com/entertainment/movies-scored-zero-percent-rotten-tomatoes?utm_content=params%3Ao%3D740004%26ad%3DdirN%26qo%3DserpIndex
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